Your Thoughts: Broadening My Music Horizons

The comment I got this week comes from Brian, who you should know as one of the great contributors at Idolminded! Now before I get to his comment, know that I’ve gotten a lot of great recs for music via twitter, but I’m always open to new recommendations, hip hop or otherwise.

I see you got a bunch of recommendations on Twitter so I want to keep a short list. But you are searching for hip hop or hip hop inspired music so, well…

A Tribe Called Quest – Can I Kick It
Paperboy – Ditty
Nas – The World Is Yours
Digable Planets – Where I’m From
Soul Square ft/ Melodiq – It’s All In Your Mind
Kick The Can Crew – Sayonara Sayonara
Onra – One Day
Rip Slyme – Time To Go
Epik High – Over
Halcali – Tandem

I’ve never been good at describing music or anything like that. This list is kind of all over, I wanted to give you suggestions similar to Rhymeberry but I don’t really know too much about Rhymeberry myself. From a quick Youtube search, if you like them, Halcali should be something you enjoy, if you don’t already.

All of these songs have great beats (which is usually what gets my attention first). And there’s songs like Nas’ and Epik High’s that have great wordplay in the lyrics. “The World Is Yours” is one my favorite songs of any genre. I know a lot of people like idol music cause it’s positive and “The World Is Yours” fits that easily – both in the lyrics and the sound. I hate to add more suggestions but the whole Illmatic is special and something I’d really recommend.

As for me, idol music hasn’t really changed anything, just part of the journey. There’s great music all over, in all different genres and in every country, and it’s great we are in a time that it’s so easy to find it all. Also, I think it’s great you are looking for all kinds of music, I really appreciated that you showed some interest in the cpop posts I started making on IM. I know it’s a lot (and some of it I haven’t even listened to myself yet) but if you ever want to talk more about anything, let me know!

First off, thank you so much for the recommendations! I’ve been checking out Halcali and liking them. I also checked out Rip Slyme and I’m still working through the rest of them. I really appreciate all the thought that you and the other people who have been recommending me things have put into it. I haven’t listened to nearly everything yet because there’s a lot, but I do appreciate it a ton.

And it’s very true that there’s great music all over. I find it interesting hearing about the musical histories of fellow idol fans, because there are a lot of people who have very varied tastes. It’s an interesting thing to hear about.

And I have to admit I’m SO new to CPop, but I want to try and listen to more in the CPop world as well as Kpop. While JPop has become my comfort zone over the course of the past 6-7 years, I feel like I’m missing out on some great music in both China and Korea that I need to at least dabble in.

So thanks again for your reply, and thank you to everyone else! =D

Idol Thoughts: Broadening My Music Horizons

I occasionally mention my other musical tastes on Happy Disco, but I’ll reiterate the basic gist. Before I got into idol music my biggest musical interest was in indie/alternative rock. I really liked some good power pop stuff. I still like these artists; I go to concerts and buy their albums. I’m going to go see Broken Bells and Arctic Monkeys on tour this spring (this is going to be the third time I’m seeing Arctic Monkeys, and they’re always fantastic). My favorite band is The New pornographers. However, this was my primary music taste before idols. I had some other things in there; some harder rock, some classical, but it was mostly this.

However, despite all my music interests in this regard, idol music has really stuck, and has influenced my music tastes in a very major way. Before I became a fan of idol music, pop music wasn’t really my thing. I liked it growing up, but once I got into my teen years I pretty much abandoned pop music. However, obviously, I’ve gotten into it with idol music. I don’t listen to much top 40 radio still, but I’ve become a bit of a Katy Perry fan.

Recently, I’ve gotten a new interest in hip hop music. This isn’t something I ever thought I would like, but I’ve been giving it a shot and I’ve been pleasantly surprised. A lot of this is because of how much I really like Rhymeberry, and how often I’ve listened to stuff like SUPERMCZTOKYO. That and the Dempagumi.inc cover of Sabotage has made someone who always swore that she didn’t get hip hop actually pick it up.

So idol music has really pushed me as a music listener, and I know I’m better for it. I can’t help but think that this has to be true with other fans, at least to an extent. I mean, think of all the disco sound that you hear in Koisuru Fortune Cookie. Or the saxophone in Watashi ga Iu Mae ni Dakishimenakya Ne. Or the big band sound in Mr. Moonlight ~Ai no Big Band~. Or Iwasa Misaki doing enka and Matsui Sakiko doing instrumental piano. There is such a wide diversity of sound in idol music that I have to think that it’s expanded other people’s interests as well.

I think this is one of the things that has kept me an idol fan for years, and why I think I’m an idol fan in it for the long haul. There is a big musical diversity in idol music. Even artists can wildly change from release to release. It’s never boring, and it’s often edifying. It’s easy to play down idol music because the idols themselves don’t write it and they aren’t always the best singers, but I think that Japanese idol music is an extremely interesting genre, and certainly the one I want to pay attention to. So while it’s easy to be dismissive of idol music, I think that’s not being entirely fair. This is a diverse, great genre that is well worthy of our attention as music fans.

What do you think? Has idol music changed your music interest at all? Let me know in the comments!

My Top 25 Songs of 2013- part 3

Hey guys! Sorry for the missed post on Friday. I wasn’t feeling well so I decided to take a weekend off of blogging. 🙂

15. DD Jump – Dancing Dolls

DD Jump did what I wish Morning Musume had done this year; it took the song Love Machine and added a new twist on it. The song sounds VERY different to Love Machine as we know it, but the basic elements are in there as they made it much more of a dance track, and made it a song to really fit Dancing Dolls while taking the original framework from Morning Musume. For updating a song from 1999 DD Jump sounds fresh and exciting. However, even if I didn’t already have a bit of a history with Love Machine, DD Jump is just a well-paced, fun and energetic song that always brings me up. All the members sound fantastic in it, with top notch vocals and rapping, and it’s just a well produced, well-made dance track that happens to have well-known origins.

14. Shuto Iten Keikaku – Team Syachihoko

So, much like last year, I loved just about everything that Team Syachihoko did this year. In terms of what I listen to on a regular basis, Syachi’s discography could easily be up top. So I’m narrowing it down to my top two Syachihoko songs of the year, though know I wish that I could put Summer Lover and Ai no Chikyuusai on this list.

I didn’t love Shuto Iten Keikaku at first listen. After the high energy fun of songs like The Stardust Bowling and Otome Juken Sensou, Shuto Iten Keikaku felt very different. However, after a couple of listens, I began to appreciate Shuto Iten Keikaku a lot more. It was written by hip hop performer SEAMO and that shows. Most idol songs throw in an occasional rap verse, and even idol songs that are mostly rap based still feel like idol songs. This feels a lot darker and heavier than most of those, and isn’t a sound I hear much from idol pop.

However, this is combined with some goofy lyrics, which are all about how Japan should change its capitol to Nagoya (where Syachihoko are from). It feels like far too serious of a song to have such silly lyrics, but that’s part of Team Syachihoko’s charm. They are a goofy group that happen to do a lot of interesting things in their music. It’s Team Syachihoko’s way of saying “yeah, this song isn’t idolly, but it’s still us.”

While it might take a couple of listens, this is one of the most interesting idol songs of the year and is one of my favorites.

13. Rappa Renshuuchuu – Watanabe Mayu

I know this has been mentioned before, but for using oreskaband this isn’t a very ska sounding song. Which is a shame, because I would love more ska-inspired idol music. However, WOW I really loved Rappa Renshuuchuu.

The song is pretty much a typical idol song. The melody reminds me of one of my favorite songs of last year, Avocado Janeeshi. However, where this song shines is in the fantastic instrumentation and arrangement. I love hearing so much brass as well as some piano and strings. As Watashi ga Iu Mae ni Dakishimenakya ne proved, there ought to be more variety in the instruments used in idol music, and this is another great example.

That’s not to say the melody fails in any way; this song is cute, sweet, and generally what I want from an idol song. However, the instrumentation is where Rappa Renshuuchuu shines brightest, and it’s something I wish more idol producers would take note of.

12. Walk My Way – Yokoyama Rurika

Idol vocals aren’t something I particularly care about in my favorites. One of my all-time favorite idols is Ishikawa Rika (though I personally love her voice). However, when there’s very strong idol vocals, that’s something I can appreciate. Yokoyama Rurika has fantastic vocals. Pair that with a song by Hyadain that is one of his more standard but still great songs, and you’ve got a winner. I don’t follow Idoling!!! much, but I’ve been missing out on a talent in Rurika. I just hope she continues more of her solo career, because she sounds so great in both of her singles. This is a case where a well-written song and some fantastic vocals go a long way to establishing a quality song.

11. Bokura no Eureka – NMB48

This is a song I know people criticized for hearing songs like this before, but I really love it. I think, again, part of it is the arrangement. The strings sound amazing here. But beyond that, there’s a really great feel to Eureka that I can’t really put my finger on; just everything combined makes me feel a bit melancholy. It’s a lovely song, and one that surprised me with how much I liked it, since I wasn’t too fond of most of what the 48 groups did in early 2013. This song is just wonderful, and one I’m glad relaunched my enthusiasm in the 48 groups after their less than stellar first quarter.

Idol Thoughts: Time Management

I’ve been really busy lately. This week I started a new job, after a couple of weeks of temping in various places. The Pure Idol Heart indie idol tournament is underway,  and Gaki and I have been hard at work  doing that. Idolminded’s end of the year coverage has gotten underway, and I want to contribute quality stuff to that. I’m trying to figure out presents for online gift exchanges as well as gifts for my family. And in addition to all of that I’m keeping up my Happy Disco posts (starting to think about end of the year stuff there!) and I’m trying to figure out how to fit Happy Media (my other website) and writing fiction in there.

Yeah.

I’ve had a bad tendency in the past to just drop blogging when the going gets tough in my personal life. Which I don’t think is unreasonable. I was busy with college-y things, so that took precedent over Happy Disco. However, a big part of why I put Happy Disco on a schedule was to avoid this sort of thing. I don’t want to have to make a post every once in a while going ‘lol oops, I’ll do better later;’ I want to do better now. But I’m at that point where I have to start figuring things out.

This isn’t an announcement post; I’m not quitting Happy Disco, Idolminded or Pure Idol Heart. Hell, I don’t want to quit any of them. I wish I could post more to Idolminded and PIH because I think they’re both excellent sites I’m proud to be a part of. I also have no intention of 100% abandoning Happy Media or my other writing. Writing about idols is honestly one of my favorite things; on the way back from work today all I could think about was planning Happy Disco posts.  This is the type of thing (blogging) I’d love to do professionally, but it’s just something I need to figure out and make sense of.

Still, I think things will even out a bit after the holidays. And then, I should be able to kick off Happy Media and my sort of novel that I’m working on. It’s just hard to fit everything in one schedule. Which is why, as much of a bummer as it is, it’s easy to see why so many idol  bloggers go MIA for a while or aren’t very regular about blogging. Getting caught up in life happens to everyone, and I know that I’ve hardly been a paragon of keeping up with my blog.

So yeah. If things seem a bit short or cut up into bits, I’m just trying to work out the kinks of this full-time job thing  plus all the hours I put into blogging/writing. This is why my Suzukake Nanchara single review is cut up into three parts; because I just don’t have time/energy to write those long reviews with a full-time job. Honestly, I think that has the potential to be a good thing. I got kind of burnt out writing that NMB48 stage review because it was SO long. Also,  I have a tendency to get long-winded,  which isn’t always the best writing. If this allows me to be concise but still get my opinions  across, I think I’ll be a better writer.

So yeah. Self-improvement. Is there anything you’d like to see me do with Happy Disco? Anything you see me do that you think I could 100% do away with or rework? Let me know!

Idol Thoughts: End of Year Reflections

Since Ray took a look at one of my posts, I’m going to respond to his!

The end of the year is coming up, and I’m starting to work on my end of 2013 lists for Happy Disco (best songs and best PVs) as well as thinking about what I want to write for Idolminded. I like a lot of idols and I’m interested in more than I like, so I have my work cut out for me.

There are a lot of difficult decisions to make, based essentially on how I want to run my blog and how I want to present myself on Idolminded. Here on Happy Disco, I feel comfortable being more biased. And while Idolminded isn’t supposed to be objective, I still feel like the end of the year posts are supposed to be a culmination of the idol world. Team Syachihoko at the top of every category doesn’t cut it.

This leads me to think about how I write all my lists here. While I do think I feel comfortable being biased on Happy Disco, in reality I do think about how I want to do lists a lot, especially with rankings. For example, I try to avoid duplicate groups on one list. Yet, I generally try to hold back and make mixed up, interesting lists.

It’s also divided between ‘favorite’ and ‘best.’ These can be totally different things, but a lot of people take them to mean the same thing. Essentially, a song could be my favorite, but I could view another as the best. Is Happy Disco aiming for a “favorite” or “best” model? It’s a tough call. This even brings up the question as to determining what is really the best, and if it’s possible to be at all objective about this sort of thing.

These lists are also interesting in that it puts idols against idols in ways you don’t really see. How do I compare a Babymetal song with an NMB48 song? This reminds me a bit of the current awards show races and best of the year results for movies and TV. How do you compare a comedy and a drama? I notice that dramas almost always get picked ahead of comedies. How possible is it to compare certain idol groups, if they very much are different.

Really, I think I tend to try to go a middle route between best and favorite; I throw in stuff I find legitimately interesting, but it wouldn’t be on a list if it wasn’t my favorite (as well as one of the best).

What do you think? Leave a comment and you too can be featured in next week’s Your Thoughts post!

Your Thoughts: BiS – Avant Garde Idols?

Got a lot of great feedback on my last Idol Thoughts post from last Wednesday! I’m really happy that people seemed to enjoy it!

This comment comes from Skoban!! Thank you!

In the glut of idols we presently have, it’s refreshing to see such counterculture idols such as BiS.
Personally, I’m not a fan either, but when you hear news about BiS, you know that it’s likely to be something out of the norm.
A member in her seventies? A Ryogoku Kokugikan concert that bombed? A music video making fun of the Miichan scandal?
Say what you like, you can always expect BiS to push the boundaries. And in that unique way, it’s interesting to just keep up with whatever ridiculous thing they’ll come up with next.
It breaks up the monotony of “Here’s idol group with gimmick X”, where the gimmick can last so long. {Tangent: Remember the days when MomoClo’s schtick was their yukata (as opposed to AKB’s school uniforms back in the day) which they eventually discarded once they débuted? Although I guess you can argue Babymetal did well by sticking with their ‘gimmick’, though they treat it with respect}
Sorry about the tangent. But I guess all in all, my stance is the same as yours: I may not be a fan of BiS, but I appreciate that they exist.

I completely agree, especially about them being interesting. Even if it’s only a gimmick, it’s just interesting. Of course, it’s not something that makes me a fan, necessarily, but BiS does a good job of pushing the boundaries. Which, again, is what BiS is about.

I also agree that this seems to be lasting longer than most idol gimmicks, and that this oddness is at the core of BiS. Say what you will about them as a group, but they have stuck to what they do. And yes, I very fondly remember the days of Momoiro Clover wearing only yukata. They even made it work for Ikuze. I was disappointed with their Pinky Jones costumes and wanted them back in the yukata, which didn’t happen. But yeah, I liked that schtick and it’s sad to see that go. But really, most gimmicks can only go so far. BiS just don’t have a gimmick, instead having a unique aesthetic.

Next up, Ray from Idolminded wrote a post in response to mine! Here’s the link to that, which you absolutely should read if you found what I wrote interesting.

Essentially, he shares why he isn’t fond of BiS, going off of my post. And while I generally think I do respect BiS a lot more, I can totally see where he’s coming from. In fact, I have another friend who sees BiS exactly the same way, and didn’t want to read my BiS post because it was THAT abhorrent. Really, for the same reasons that Ray has.

And really, I definitely respect that opinion. This paragraph in particular is my favorite:

“And to me, that’s what BiS feels like. They’re an exercise in difference for its own sake, an exercise in mockery at something they can’t quite measure up to. (Which is ironic, since Pour Lui by herself would make a wonderful mainstream idol.) They seem to offer an emperor’s new clothing of hipster cachet, letting fans have their cake and eat it too by saying that idols are stupid and we’re the anti-idols, but wait you can treat us like idol and we’ll heap scorn on you and make you love us for that scorn… And so really, we just get the idol dynamic turned inside-out by self-loathing from all involved, but basically functioning the same way it does for the rest of the idol industry.”

It is sometimes hard to reconcile the fact that BiS are idols but are seemingly anti-idol. And I don’t know how to reconcile that myself. The only way they can really break boundaries is if they are subjected to the boundaries themselves (this COULD be arguable, but I’d say it’s accurate). So being idols is kind of necessary for this avant garde non-idol thing. Yet, they don’t act like idols, and are often kind of the anti-idols. So it’s a odd balancing act they have to do. Could any idol be critical of the idol industry and do something ‘anti-idol,’ but still be an idol and be more successful at this than BiS? it’s hard to ask.

I also find it hard to be shocked by BiS. I think at this point they have Lady Gaga syndrome; they started out too weird, and now people just expect it. Really, the only thing I would not expect is if BiS suddenly did a cute song with nothing that makes them really BiS.

The biggest reason I was wondering this is a couple of questions – how could BiS improve (or how could Bis have been better from the start) and are there any other avant garde idols?

For the first one, I think they would have been more effective as counter culture idols if they started out that way. Their first PV was My IXXX, the infamous “nude” PV. It establishes them as weird group, even as an avant garde one, but it doesn’t leave too much room for future weirdness. However, if BiS had started out as a relatively “normal” idol group and did that before or even during their cuteness. I think the most surprising BiS news ever was their collaboration with Dorothy Little Happy. There’s just not much of a baseline for BiS. It’s hard to even think of them as idols. I think if they embraced being idols first and then weirdness second, they would be a lot more shocking, interesting, and would cause more impact.

As for the second one, MAYBE Bellring Shoujo Heart, but that’s pushing it. Babymetal gets close, but I still don’t think they’re quite there for being avant garde, not yet.

Ultimately, I still think BiS is an interesting group worthy of respect. However, despite being avant garde, I don’t think they’re perfect by any means and still have a long way to go.

Idol Thoughts: BiS – Avant Garde Idols?

The other day it was brought to my attention that BiS has put out a new PV, STUPiG.

Yeah, just take a second for that to sink in.

My feelings on BiS have been complicated. On the one hand, I want idol music to expand as a genre, and I don’t want my personal tastes to interfere with that, but on the other hand BiS really doesn’t appeal to my tastes. I don’t like their music and I don’t find their style appealing. I can’t see BiS appearing on any of my top lists, and I have little interest in them. Yet, I can’t help but admire them, in a way.

After a bit of thinking, I realized that the way I feel about BiS is the way I react to Avant Garde art, specifically experimental, Avant-Garde film. I got my degree in film/media studies, but my interests have always been with popular culture, mass media, narrative cinema. Other people get passionate about art films, and I do like a lot of good, independent arthouse films, but I never really got some of the avant garde stuff. I mean, I watched it in class, talked about meaning and symbolism, but it often seemed purposefully obtuse. Analyzing meaning within a narrative structure is relatively simple; avant garde film breaks down that structure entirely.

This film, Meshes of the Afternoon, was one I watched in class, and I was never really that wowed by it. However, one of the interesting things it does is break a lot of rules about how things are shot, for continuity editing, that most films NEVER break. The way the key falls down the stairs is a way you’d never see something shot in a mass produced film. In fact, while there are many ways to make a film, there are many things taken for granted or always done.

I’m not saying that BiS is on the level of Meshes of the Afternoon or some of the more famous avant-garde films. But I do think that’s what they’re accomplishing. In making a film, there are a number of rules that most people tend to abide by, and the whole point of avant-garde film is that they bend and/or break these rules. They try to test the boundaries of the medium itself.

Think of idols. Not any specific idol, but just what your image of idols are in your head. I imagine that most of you will be thinking of cute Japanese girls in some cute outfit singing something cute. While idol music doesn’t necessarily have to fall into any particular genre, it often falls into that type of cute pop music. There’s nothing wrong with this; I adore typical idol pop. But there is a very typical way that idols are generally presented.

BiS completely goes against this. They are often scary looking, often choosing to eschew being cute for being scary. Their music doesn’t sound like much else in the idol world. Their outfits are strange and they have chosen in the past to essentially go nude (in the infamous My IXXX PV). They are often gruesome. Yet, they are still idols.

That’s why I’d consider them to be one of the few avant-garde idol groups out there. They are specifically going out and breaking through the boundaries of being an idol. They’re releasing noise albums (as the collaborative group BiS Kaidan) when their normal music is hardly normal music. There’s a reason they were the scary villains of the Dempagumi.inc W.W.D II PV; they are the least idol-y idols out there.

Even though I don’t know if I’ll ever be a full fan of BiS, I respect them because they are avant-garde. While many groups that perform other genres as idols have been around before BiS (Babymetal was formed in 2010 when BiS was formed in 2011), there have been a lot of metal, non-conventional idols popping up. Pure Idol Heart has been doing a lot of write-ups on some of these non-conventional idols. And while Babymetal should take a lot of the credit for the metal idol renaissance of sorts going on right now, BiS is still being strange and breaking the boundaries open for groups that want to take it. Alice Juban, for example, has a lot of very conventional music, but they pose with hockey masks, chainsaws, and headbang a lot. And I imagine that, as BiS gains more recognition, more idol groups are going to step up and take risks.

I’m not trying to say that BiS is going to completely change the course of idols. That’s not happening any time soon. Yet, I do see their trajectory a lot like Avant-Garde film; there’s room for both BiS and the AKBs of the world, and groups like BiS do a lot to open up the world of idols for more and more opportunities, which I whole-heartedly approve of.

So while just about nothing about BiS appeals to me as an idol fan, as someone interested in idols in general and as someone who wants for the idol world to keep growing, I can’t help but be more than a bit grateful for the avant-garde idol groups like BiS.

Your Thoughts: Kohaku Uta Gassen 2013

One comment in the mail bag this week, and that’s from Derek!

Honestly, I couldn’t be happier with this year’s lineup. I would love it if Namie Amuro could’ve been included and Kumi Koda, but it’s okay that they weren’t. I love AKB48 and it’s nice to see them achieve yet another goal of being on Kohaku once again. I’m proud of the girls for coming so far.
I was also disappointed that Musume didn’t make it on. I feel the idol world owes so much to them that to see Kohaku stacked with as many idols groups this year as they have and NOT see Musume on there, it’s kind of like having a party at somebody’s house and that somebody isn’t there to celebrate with you. Just doesn’t feel right in a way to me.
BUT still, I love Kohaku and watch it every year. Always a pleasure. And those enka singers kick so much butt! Maybe we’ll see Wasamin from AKB do a solo enka or something special to start off the AKB performance? That would be amazing!

The one thing about MM that weirds me out is just how many years they were on Kohaku with MUCH worse sales and much less media presence. I mean, I know there are a lot of idols starting to go (AKB, SKE, NMB, MomoClo, E-Girls) so MAYBE the people behind Kohaku were like “need less idols, need more enka,” when Morning Musume provided the idol presence despite their low sales? It’s just puzzling, though, since they’ve come a long way and have improved so much, but they’re still not being invited. Ah well.

I’m happy for the AKB girls too; honestly, I know not everyone likes AKB48, but even if you don’t you at least have to respect what they’ve done in bringing back idols. The fact that MomoClo and E-Girls are on there at all could probably be attributed to the idol boom, and thus indirectly to AKB. This is a topic for another time, but as someone who got into idols when Morning Musume was slowly losing sales and AKB was just starting to get recognition, I am overjoyed at any idol success, because it means I can enjoy idols more.

Also I WISH Wasamin would do enka on Kohaku. That would be lovely, as a Wasamin fan. 🙂

Idol Thoughts: Kohaku Uta Gassen 2013

Kohaku Uta Gassen lineups have been released this year! If you missed it, here is the listing of all the artists who have been invited to this year’s telethon. The female idol acts invited are AKB48, SKE48, NMB48, E-Girls and Momoiro Clover Z (and Matsuda Seiko) . Here are some assorted thoughts about the whole lineup.

First off, why does Kohaku matter? Well, part of it is the sheer exposure. Kohaku Uta Gassen is a very highly watched and anticipated event. Being on the show means that you won’t only be seen by people who are fans of idol music, but by a large portion of the Japanese public. Even though Kohaku TV ratings aren’t quite as good as they once were, it’s still an incredibly highly watched program.

However, if you’ve made it on Kohaku it means you’ve already made it. This is basically a collection of the most popular artists in Japan for various genres (which is why you have all those enka singers). Being invited to Kohaku is a very big honor, and shows that you are a major presence in the Japanese music world. Getting to Kohaku was Momoiro Clover Z’s goal. NMB48’s song 12/31 is disappointment at not getting to Kohaku last year, which they achieved this year. Kohaku is basically “this group made it.”

NMB48 made it to Kohaku: Honestly, I’m not surprised at all. The group has made a big effort to get to Kohaku this year, and I would be surprised if SKE was invited and NMB was snubbed. NMB48’s sales and profile keeps going up (Bokura no Eureka’s sales were quite good). HKT48 still seems like it would be too early to invite, but I’m not shocked that NMB made it this year.

Morning Musume got snubbed!: This surprised me a bit more. People were expecting that Morning Musume would be invited which they weren’t. Honestly, the thing that consistently surprises me with Morning Musume is how long Morning Musume appeared on Kohaku before. They were on the show 10 times, which is really incredible considering how low in popularity they were for some of those appearances.

Morning Musume has had an incredible comeback. I don’t think this can be argued. The fact that Wagamama Ki no Mama Ai no Joke/Ai no Gundan sold over 144,000 copies in the first week speaks to how far Morning Musume’s come. However, I do think they have a ways to go. Their singles are selling and they’re starting to get back in the media spotlight, but they aren’t that visible on television. I think what Morning Musume has to do, if they want to be given another turn on Kohaku, is get more on TV. Try to appear more as variety guests, get on all the big music shows. While Love Machine was MM’s biggest hit, they had some media prominence with being pretty regular guests on Utaban, which gained them some level of prominence.

I do think Morning Musume, in terms of record sales, could have gotten to Kohaku, but they aren’t quite there with national presence. If they continue to promote the current members, and figure out a way to get people talking about the members’ personalities in a major way, I do think they could make it next year (providing that record sales don’t fall).

E-Girls made it onto Kohaku!: I think the biggest thing that I’ve heard people say about Morning Musume is “how did Morning Musume not make it, but E-Girls did?” First off, I think people really underestimate how popular E-Girls are. They’re a group that not a lot of people in the English-speaking idol fandom really talk about, but they do have very solid sales. One of their singles sold over 93,000 copies. This is less than Morning Musume, sure, but it’s considerable. I would also argue that E-Girls has a very solid digital presence, which doesn’t get reported in Oricon numbers. Their singles have been released with a digital version considerably before the physical copy. Casual E-Girls fans would almost certainly then just opt for getting this digital copy, especially if you get it faster.

There’s also the EXILE connection. EXILE is a very widely popular group in Japan, and E-Girls are kind of a sister group to EXILE. This also increases their recognition. E-Girls have become a considerably popular group this year, and I don’t think they’re out of place on Kohaku this year. they just have to perform Gomen Nasai no Kissing You because it’s one of my favorite songs of the year.

Ultimately, though, while I was initially surprised at both Morning Musume and E-Girls, neither really surprises me now, more or less.

What do you think? What can Morning Musume do to get to Kohaku? Did E-Girls surprise you? Let me know in the comments, and you’ll be a part of next week’s Your Thoughts post!

Your Thoughts: On Perfume, Homophobia, and the Reactions

Hey guys! I had one comment come from Derek, who found me through Idolminded. So welcome to Happy Disco!

Hello…I am a reader of idolminded, which brought me to this blog. I really can’t thank you enough for bringing such a well written and thoughtful article to light regarding this completely idiotic scandal. Here’s the deal, and maybe this will help people understand some things a little better:

First, Perfume is not anti-gay or anti-lesbian or anything of the sort. How can they be when they work with people in these communities on a regular basis? I believe to be a fact (of course whether it is true or not I wouldn’t know unless I actually KNEW Perfume personally, but please follow my logic for a moment here…). I’ve seen virtually every single interview and behind the scenes programs released by the Perfume camp and TV stations since 2006, when Perfume first came onto the Japanese national media map. I have followed them religiously and consider myself to be one of their biggest fans. I have seen them, REPEATEDLY, work with, smile with, joke with, and be friendly with MANY MANY openly gay Japanese celebrities in all the aforementioned interviews and behind the scenes docs! There isn’t a single shred of anti anything by them! And if there was, trust me, they wouldn’t show that to the general public no matter what!

That leads me to my next point…they are Showa style artists, meaning they conduct themselves in a manner that has bordered mostly on being stoic and unaffected by the world around them. They have been virtually perfect up until this point and though they don’t consider themselves as Jpop idols but rather J-artists, they still have even kept close their personal relationships with men out of the spotlight. The point I’m trying to say by sayiing all of this is that they wouldn’t DARE dream of committing career suicide by exposing anything hateful about their personalities. They’ve worked too hard for the past decade plus…do you really think A-chan would say something purposefully demeaning, even if it was to a gaijin who put her in an impossibly awkward spot to begin with?

That brings me to my final and most demanding point to consider about what A-chan said. She was talking about the whole PEOPLE WHO ARE NEITHER because she was simply emulating her idol AIKO. Now if you don’t know who AIKO is, go look her up. You’ll see that AIKO popularized this type of affectionate statement towards people who bend genders and what sexuality means…AIKO used to use this in her call and response at live shows. A-chan has said many times that AIKO is her idol…wouldn’t it make sense that she was borrowing this phrase from somebody she and the whole of JAPAN has accepted as a successful J-artist? Think about it. A-chan didn’t read anymore into that statement beyond the fact that she was echoing somebody she looks up to, and AIKO has talked about how she made this statement to be one of LOVE towards gays and lesbians and gender benders/transvestites, not one of hate. What I believe happened here, consequently, is just a misunderstanding of culture. I mean, for crying out loud, in Japan a bi-racial kid is referred to as a “halfie!” Does that mean that Japanese people think of bi-racial people as only half humans? But to the outside and stupid eye, people would construe this as offensive, which is what happens when you take it out of the cultural context of Japan and its usage of language.

I am married to Japanese woman. We have a HALFIE child. We don’t think she’s half-human. My wife reminds me everyday of the cultural differences between me and her (I’m a white Italian male). She says things that aren’t really acceptable in America but I know what she means completely from being around her and from living in Japan like I have done several times in my life. Yes, it’s true that Japan is a bit behind on the times with SOME issues regarding sexuality and LGBT themes, but on the other hand, I don’t see too many American shows with gays, transvestites, and cross-dressers on an everyday basis like I do in Japan’s variety shows. I think it’s really amazing that people had ANY reaction at all to this comment by A-chan…it shows a lack of education and open-mindedness by those who didn’t take five minutes to do some research and look at all the facts surrounding the three girls from Hiroshima and the country they come from. If people DID do research, they would’ve seen, very quickly, that the Perfume girls are the LAST people on Earth who probably want to destroy their hard-earned thirteen plus years of work in a single statement, intentionally or otherwise. And for the record, I have literally HUNDREDS of gay friends, and many of them who I showed this article to said they had absolutely ZERO problem with what A-chan said, both with the GIRLFRIEND comment and also with the whole NEITHER thing. They found it simply a misunderstanding and some were actually MAD that the couple put A-chan in a position where she had to comment on another couple’s relationship…something she couldn’t POSSIBLY know anything about. Meh.
One final note…I will be at the Tokyo Dome supporting Perfume on Christmas Eve AND Christmas night. I am flying 15 hours and spending over 6 thousand dollars just to see them. I’ve saved up so much money for this once in a lifetime experience. I love them with all my heart and have been a fan since 2006. I know I don’t know them personally, but I feel in my heart I can honestly say that this comment by A-chan was taken WAAAAY out of context and also completely misunderstood. And I bet if you asked A-chan today how she honestly felt about gays and lesbians, she would smile and say that she LOVES THEM JUST AS MUCH AS SHE LOVES EVERYONE IN THE WORLD. I would bet my life on it.

First off, while I definitely agree that I don’t think Perfume is in anyway being malicious or hateful, that it is possible to be homophobic while still spending time with gay people and the LGBT community. That’s why you hear a lot of people going “oh, I have a black/gay/etc friend;” it’s so easy to use this to assume you’re progressive (when you’re not). That said, the case is a little different in Japan, where things still have a long way to go on the LGBT front, so it is a bit of a victory if Perfume is in fact being openly supportive of those individuals.

I also don’t think they would intentionally commit career suicide, but I was a bit surprised at how blunt they were able to be. That said, since the article was originally published in English, I do wonder how much of the meaning was lost. It’s the type of thing where it makes me inclined to be willing to give Perfume the benefit of the doubt. I was surprised at their bluntness, but if I read the Japanese I wonder if I wouldn’t consider it blunt at all.

As for the saying coming from aiko, I agree that does give it a lot of perspective. That’s why I linked those Perfume City posts; it was something that made me think, beyond what the other English-articles had been saying. However, I don’t think that’s necessarily an excuse. For example, I love comedy. I follow some comedy podcasts, and I watch stand-up for comedians I like. But say I repeated some jokes that had homophobic undertones, especially if I didn’t immediately cite the source. It would be easy to go “Oh, so and so said it first,” but it doesn’t change that I said it, or that I implicitly agree with it. I mean, it’s a tenuous situation at best, and I do think that aiko and A-chan both mean well with using it. I just don’t see “aiko said it first” as an argument I agree with.

Another thing is the whole concept of intent. Yes, I agree that they both intended the best. Does that necessarily mean that they’re “off the hook?” I would argue no. I could go on for hours and hours about authorial intent in regards to fictional works (I identify pretty strongly with New Criticism, which almost entirely disregards what the intent of an author is), but I’ll keep things simple here. Intent speaks a lot about the author, or what aiko/a-chan meant, but not a whole lot about what was actually said. I could say something I thought was in support of the LGBT community, but if I used a homophobic slur in place of a more acceptable term, it would still be a pretty bad statement. That said, the thing that makes me accept this the most is the fact that gay Japanese fans have embraced it. I still think using “neither” is a bit suspect, but if it’s something they can embrace it makes it a bit better for me.

As for halfie, I think it’s a bit different. Racism is still very prominent in Japan, though I would argue that racial tensions are highest between Japan, South Korea and China. I’m a lot less familiar with the term “haafu” in context, but, according to wikipedia, ” The label emerged in the 1970s in Japan and is now the most commonly used label and preferred term of self-definition.” That last thing is the most important thing to me. Preferred, I’m assuming by other biracial people. It reminds me of the use of the word ‘queer’ in Western LGBT circles. While it originally had a negative connotation, it was reappropriated and is now a very common, acceptable umbrella term for people who identify somewhere in the LGBT world.

I agree that there are cultural differences, and that the US is hardly better. I’d LOVE for there to be more diversity on primetime TV, and I don’t think the US does have that great of a track record on the subject. One of my favorite shows, Once Upon a Time, recently introduced the first LGBT character on the show, and people freaked out. My heart broke a little when I heard that an actor I like, Sean Maher (from Firefly) was told he couldn’t be openly gay in Hollywood because it would hurt his chances of getting some leading man roles. I also think that Japan has surprisingly good laws for trans* people. There’s good legal precedent, but there is also a very big stigma. But that’s true with the US as well. In criticizing Perfume, I don’t think anyone is saying that the US is much better. I don’t think the Japanese entertainment world is that open to LGBT people, to be honest, but things are very slowly improving in both Japan and the US.

Ultimately, though, thank you for your comment. While I don’t think we necessarily saw eye to eye on everything, I do think we agree on the basics: that A-chan didn’t mean anything negative; she had good intentions.